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About Me:
Bianca I. Laureano is a first generation Puerto Rican sexologist living in NYC. Raised in the Washington, DC area in an activist environment, Bianca is the daughter of an artist and educator and a product of the public school system. In the field of sexuality for over a decade, Bianca has worked with and taught youth of Color, working class communities, national and international organizations advocating sex-positive social justice agendas. She has presented both locally and internationally on various topics concerning activism, Latino sexual health, feminisms, youth and hip-hop culture, Latinos and race, curriculum development, and teaching. Bianca is an instructor with CUNY and a freelance writer. She hosts the website LatinoSexuality.com and identifies as a LatiNegra, media maker, radical woman of Color, activist, sex-positive, pro-choice femme. Find out more about Bianca by visiting her website www.BiancaLaureano.com or follower her on twitter @BiancaLaureano

Thursday, February 4, 2010 at 9:03:00 AM EST
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It’s Black History Month, and regardless of what your feelings/beliefs are about complex people who share a history with one another being recognized specifically for one month, can we please agree that the best way to start off Black History Month is with RuPaul’s Drag Race?!
 
Now that we are on the same page, one of the things I love and hate about the media that is produced during such months are that specific media is produced for these months. I love it because we (finally) see people who are not always represented in the media, but I also dread it because all sorts of stereotypes are fed and nurtured through such media, and just plain wack images are presented. So, this year, I really want to highlight the media that we have seen who are “doing it right” and creating media that we need more of, not just for a month!
 
I’d LOVE for folks to post what they see/hear/experience in the various forms of media here and share why they find the media so important and trailblazing. I’ll get us started with some of my favorite advertisements that have been running for years not just one month. AdoptUsKids has fabulous marketing as they have partnered with the Ad Council. One of the reasons I love these ads is because of their messages: “You don’t have to be perfect to be a perfect parent. There are thousands of teens in foster care that would love to put up with you.” I think for this specific time, it’s important to highlight that there are plenty of youth of Color in the foster care system looking for homes and to be adopted. Check these ads out!
 



 
I’d also like to remind folks that this is one of the main times activists of Color get paid gigs as keynote speakers, workshop facilitators, and conference presenters. Please, if you have an opportunity that comes up, remember if you have time to attend their session.
 
Also, a shameless plug for a grassroots virtual project I’ve created with several activists and writers that began from my article posted here on LatiNegr@s To Look Out For in 2010 . If you are looking for ways to include us, LatiNegr@a, AfroLatinos, AfroCaribeños, in Black History Month please visit our Tumblr page  and if you would like to submit anything (film, quote, website, photograph, link) you can do so at the submission page (this can be anonymous).
 
Now, a call to action: What images do you see this month and do you think they are quality?


Thursday, January 28, 2010 at 8:47:00 AM EST
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For the 37th Anniversary of Roe v. Wade I had a lot to reflect upon. I wrote a bit about my thoughts on “What Choice Means To Me” on the Rh Reality Check site. My thoughts on “choice” always centers on the death of Rosie Jimenez, so my piece speaks to what her death and legacy means to me.

If you have never heard of Rosie Jimenez, I’m not surprised. Although people say they will “never forget her,” for me, I exist because of her and remember her everyday. She was a young working-class Chicana mother of a 5 year-old daughter living in Texas and a few credits short of completing her credentials to become a teacher. When she realized she was pregnant and discovered the new Hyde Amendment  that had recently been approved would not allow her Medicaid to cover her abortion, she died of an illegal one she obtained. She was the first woman to die after this new amendment was passed.

I wrote this in my piece on Rosie Jimenez:

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Thursday, January 21, 2010 at 8:54:00 AM EST
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Each time American Idol begins a new season I usually only watch the audition clips. Sometimes I’ll check out the actual competition and listen to the performances and see who gets voted off, but I’m more entertained watching the auditions. I’m very clear that one of the reasons I’m entertained with the auditions is because I like to hear the songs selected, performers comments, judges reactions, and overall search for finding new talent. I am however, one of those viewers who is overly compassionate for the contestants. For example, I’ve been known to cover my eyes for a contestant who is singing poorly in embarrassment for them and tear up at times for folks who genuinely are excited and overwhelmed when they get selected to move on to Hollywood.

One of the things I’ve said for years about American Idol, is that it is one of the few shows were we get to see working-class and working poor White people represent themselves. Do you remember the last time you heard a working-class and/or working poor White person on television? The last time I remember hearing from them I can name on one hand: Diane Sawyer’s special on Appalachian Whites which she called “Hidden America” , when the Crandall Canyon Mine collapse occurred in August of 2007.  Prior to that there were two other mines that collapsed in 2006 , one in Virginia and the other in Kentucky, and after that the working-class and poor Whites who could not leave their homes in the Gulf Coast area during Hurricane Katrina. These were the last times I remember, aside from American Idol; I’m sure there were others in some regions, but not here in NYC (interesting how I blocked out the entire election campaign).

My point it that it is not often we hear from working-class or working-poor Whites in mainstream media. American Idol is one of the only spaces that feature them. Here’s an example of what I’m talking about, contestant Vanessa Wolfe from Tennessee:



All four judges loved Vanessa; they think she is authentic, although ill prepared for the audition. Yet she gets through to the next round to Hollywood. My understanding of what the judges thought her authenticity was about her class and geographic location. Each judge says they will choose “the country girl” except for Simon who says “yes to YOU Vanessa.” Vanessa is authentically and unapologetically a young White woman from a working-class family from the US South. There are many similarities I share with Vanessa. For example, when she began to share of her anxiety at the 33-second mark she says, “I’m so nervous I know the judges are high profile people and I don’t want them to look down on me or nothing like that. What’s life without a risk or two?” I know, deeply and intimately know that feeling of fear of having “high profile people” look down on me for who I am and where I’m from.

However, immediately after Vanessa we are introduced to Jason Hamilton from Alabama when host Ryan Seacrest discusses people’s hopes of turning their luck around and changing their lives. It is Jason’s story that is parodied in ways that immediately made me uncomfortable.

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Thursday, January 14, 2010 at 11:20:00 AM EST
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I’ve been fat all my life. Add to that my height (6 ft), my fierce hair, and my love of fashion and makeup and I’m basically a Glamazon. As many of you may already be aware, being a large woman of Color living in the US and the daughter of working-class immigrant parents was/is difficult. Everything from anti-immigration rhetoric, racism, sexism, classism, elitism, and fatphobia has followed me my entire life, even from within and among family and friends. Somehow, I wish I could pinpoint specifically, regardless of how I was socialized to hate and be ashamed of my body, when I found peace and calm in my body, enjoyed it and how it moved and felt. Yet I enjoyed it in private, shared it with my partners, but I also started to design my own clothing. I didn’t realize it at the time, but making my own clothes was a form of making media. I shared a bit about this in my column debut. In my mid-to-late 20s I began to learn more about the size acceptance movement and the health at any size communities/ideologies. From these spaces I found The Adipositivity Project, a photography series of fat women (some images contain nudity and may not be safe for work). Prior to that I had only seen images via photography by Laura Aguilar, a Mexican lesbian photographer who photographs herself, nude, and in nature. Since I found her I have used her in my classes that focus on women, art and culture.

The Adipositivity Project’s goal is to:

promote size acceptance, not by listing the merits of big people, or detailing examples of excellence (these things are easily seen all around us), but rather, through a visual display of fat physicality. The sort that's normally unseen. The hope is to widen definitions of physical beauty. Literally.

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Thursday, January 7, 2010 at 8:48:00 AM EST
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I grew up at a time in US history where race was very much in a Black/White binary in which I did not easily fit. Add to that my ethnic identity, class status, gender expression and I felt even more isolated. Rarely did I ever see an image or representation of LatiNegr@s*, like me, in the media, but today it is different. I want to share the LatiNegr@s that I am excited about this year and for you to keep an eye out for. Many of them you may have already known about or seen/heard, yet there may be a few you just need to be in the know about! I apologize in advance for not translating some of the video clips that are in Portuguese or Spanish or that do not have subtitles. Please know this is in no way an exhaustive list. I encourage and hope you share with me LatiNegr@s you would like to feature this year (and that we remember always). I’ll commit to including your additions in a future post!

Wanda De Jesus (Actor)
This is a LatiNegra who reminds me that we are beautiful in all our colors, shapes, accents, and identities. When I see that she is in a film I immediately want to see it because there is a connection that I, as a viewer, have with her as an artist and actor. Wanda De Jesus is someone who has been acting for decades and has an elegance about her that calms me in ways I’ve never experienced through watching a film. That may not make sense to some of you, but I really do see her as an amazing mentor, even if I think she’s one of my mentors in my mind.

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Thursday, December 17, 2009 at 7:18:00 AM EST
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As activists we are always working, always thinking, always organizing, and often forget to take a few moments to relax and rejuvenate ourselves, our bodies, and center ourselves for a few moments. There rarely are times that we give ourselves to just rest on purpose. I’ve learned that it is essential to do this for ourselves to stay grounded, focused, and energized for the work we do towards social justice.

Often I felt guilty when I took time for myself because I was never mentored that it was all right to do this. I want to let you all know that it is all right to take time for yourself; to take a step or two back, to take a break, to be entertained. It is an important part towards maintaining good mental health and decreasing burnout. Sometimes people think that because we critique the media and always have our media literacy lens “on” that we cannot find enjoyable and entertaining experiences through the media without compromising our social and media justice agenda.


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Thursday, December 10, 2009 at 1:22:00 PM EST
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If you’ve been following the Sammy Sosa “situation” and the drastic change in his skin color  , then you know that these are very racialized conversations. If the articles are intersectional they center race, gender, and colonization; yet rarely do they address the issue of steroid use, which was originally suggested to be the reason for his skin color changing.

When I first heard about this story, anabolic steroids were blamed for induced vitiligo. I immediately became suspicious because I know that there is limited scientific information regarding anabolic steroid use in the US. How do I know this? Well I took a little class called “A History of The US Drug War” where I had to unlearn a whole lot that I was taught as I grew up during the Reagan era of “just say no” to drugs specifically. So I did so research.

The take home message of this article is this: There is limited to NO research in the US regarding anabolic steroid use. Take a moment to let that sink in.

Now, how do we know what anabolic steroids do if there is old or no research to support findings/analysis/information that is being distributed? How do we know that using them are “bad” and “harmful” to our health? How were these messages constructed?

In searching for the side effects of using anabolic steroids (either for short periods of time or for longer ones) I could not find much (and I have access to scientific peer reviewed journals as a faculty member at a college). The first thing that comes up is a link to the “Research Report on Anabolic Steroid Use”  from the National Institute of Drug Abuse. The Report actually states: “it is difficult to estimate the true prevalence of steroid abuse in the United States because many data sources that measure drug abuse do not include steroids”  yet does not state why there is no research to examine such. It also confuses all steroids with anabolic steroids, which are the ones we hear about being used when athletes admit to using them. Not all steroids are “bad,” like cortisone http://en.wikipedia.org/wiki/Cortisone .

So, why aren’t studies being done? Well, a few physicians who could do the research think doing such research to understand what some real causes and outcomes are regarding anabolic steroids is “unethical.” See video below for this perspective and others, as well as some Steroids 101:

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Thursday, December 3, 2009 at 9:52:00 AM EST
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This entry is a part of our World AIDS Day Blogathon.  During this week we share our experiences, stories, and ideas about how HIV affects young people around the world. Join the blogathon .

Many of you reading this already talk about HIV every day, not just on World AIDS Day. Yet, as time progresses I realize that not many of us know what role the media played in HIV and AIDS prevention and education. The history of HIV has been overlooked as efforts in prevention focus on the here, now, and future. Yet, the history of HIV and AIDS in the US and around the world, and the role media played is, in my opinion, essential to crafting, creating, and implementing new prevention efforts.

When I begin to teach about the sociology of health and illness, HIV is always part of my anticipated class discussions. You see, I remember a time in this world when HIV was not something I had to worry about because it had not yet existed (same thing with computers, but that’s another post). This is not the case for all of us today. As many of my students were born after 1990, their understanding of the history of HIV and AIDS in the US and the world is limited.

In some communities the idea that HIV and AIDS only infects gay White men is still prevalent. Yet, many people do not know where or how this myth began.  Part of my essential reading list for my students is to watch the PBS Frontline documentary: The Age of AIDS. I ask students to at least watch the first hour of the documentary (which is over 5 hours long). PBS has created a timeline of AIDS around the world and many of the cases are stunning to see how far along we have come in technology to be able to detect infection in blood samples from the 1950s.

 Watching the documentary and hearing from doctors who worked with patients in the late 1970s and early 1980s informs us that people all over the world were infected with HIV and/or dying of AIDS. Not all of them where White, gay, or men. In fact Black, heterosexual Haitian men and women were infected, injection drug users on the east coast of the US become infected, gay men and heterosexual women in Paris, heterosexual men in Portugal, and Central Africans of every sexual orientation became infected.  Instead of recognizing how this disease affected all people around the world, the US government, at the time, chose to use the media and their power, to send a very specific message about HIV and AIDS.


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Wednesday, November 25, 2009 at 8:14:00 PM EST
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Yes this is the Media Justice column, and today I want to share with you an amazing resource that centers Justice. Around this time each semester I teach the topic of the “sociology of crime” in my class. Conversations about “deviance,” who is considered” deviant,” what happens when someone is “deviant,” and how our society creates laws and enforces them are at the center. What I found early on in these conversations is that rarely do my students know what their rights are as people living in the US.
 
I usually begin my class by mentioning that some educators don’t enjoy talking about topics such as race, class, gender, sexuality, citizenship, or any other dimension of difference. I admit to my students that teaching about “deviance” is not one of my favorite topics. One of the ways I’ve figured out how to work through my dislike for the topic is to help students understand what their rights are as people living in the US. When I made this decision I was on the lookout for films that I could incorporate into my teaching.
 
I’ve used a PBS Frontline documentary called When Kids Get Life, which you can watch online for free, to introduce “deviance” and how crime is a social construction. This film is always timely, especially now with the story of Sarah Kruzan who, at 16 years old, was tried, convicted and sentenced to life without parole after killing the man who abused her and became her pimp at age 13. Almost all of the young men presented in the Frontline documentary killed adults who were abusing them. The US is one of the only countries in the world that try youth under the age of 18 with the possibility of receiving a sentence of life without parole.

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Thursday, November 19, 2009 at 8:40:00 AM EST
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SPOILER ALERT

I know some of you reading this may have already seen the film Precious: Based On The Novel Push by Sapphire. There are so many articles to read about the film. Some are affirming ,  others filled with critique and anger. Yet, there is limited discussion of how audiences reacted to the film. I went to see the film last Wednesday, the film had already been out in NYC for 5 days. My homegirl Jen and I went together and caught the 5:45pm screening in Times Square. The theater was huge and 98% sold out! We sat in the 3rd row from the front of the screen. The majority of people in the audience were youth of Color.

***Trigger Warning***
The young couple that was seated next to me were troubling. I looked over at them about 15 minutes into the film and the young woman had allowed her male partner to insert his hand underneath her shirt and fondle her. This continued during the entire duration of the film. I wondered to myself: “does she not see the fact that her partner wants to touch her in a sexual way while watching a film about molestation bring up a red flag for her?”

I bring this encounter up because I wondered what messages she got about creating and building relationships to have her engage in such an activity. My homegirl Jen told me after the film that they had taken up 3 seats together prior to the film started and were engaging in heavy petting with the lights up. I’m not initially opposed to such activity, yet I do think that if that’s an activity you wish to engage in, as Jen said, try to sit in the back in a dark corner. Aside from that, their conversations were along the lines of “it’s so gross she doesn’t shave her armpits.” Now, it was not until after I started to write this did I take a step back and hold myself accountable for assuming she had provided consent to her partner to touch her in such a way.

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Thursday, November 12, 2009 at 9:16:00 AM EST
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As the new fall season in television begins, I’ve been finding myself following the same US shows I used to, and some new ones. I’ve been impressed with the imagery, writing, and content of some series, but not enough from just one show to focus just on that for an entire post. Instead, I’d like to share some of the highlights that I enjoyed, and some that were troubling.

Law & Order: SVU
I’ve watched SVU since it first began a decade ago. It almost seemed like an expected show for me to include on my roster with my focus and interest in sexuality. I’ll be the first to admit there are several things about SVU that unnerve me and perhaps that list of things requires a separate post, but just know that I know. Now, on a recent episode, “Hardwired” which aired October 21, 2009, Dr. George Huang performed by B.D. Wong came “out” as an Asian gay man. The episode focuses on a young boy who is being molested by his stepfather. The stepfather has found an online community of pedophiles who argue that their relationships are not taboo. The group is called Our Special Love (OSL), which Dr. Huang argues goes a step further beyond the North American Man/Boy Love Association (NAMBLA). While discussing the science that president and CEO of the group use to validate their relationships to advocate for pedophilia to be seen as a new genetically based sexual orientation and compare their “persecution” to that of gay people in Iran and Iraq, Dr. Huang states “Pseudo science like this insults my intelligence as a psychiatrist and my humanity as a gay man.”

When I shared my surprise with some friends a few thought: “that was implied” already in Dr. Huang’s character. Now, I can’t recall any time this was implied, and perhaps that’s because I was not looking for such implications or hints because I was focused too much on another issue in the show. Or perhaps it is because it is rare that a gay Asian actor is cast to play a gay Asian character. If you watch the show, what were some of your thoughts?

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Thursday, October 29, 2009 at 7:02:00 AM EST
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I’m a morning person, which means that my bedtime is usually by 11pm. For this reason I almost always miss out on watching late night shows. Last week my homegirl Sparkle sent me a link to clip of the Jimmy Kimmel show that aired the night before with guest actor Taye Diggs. Sparkle’s note stated that “don't let the privileged have all the resources to themselves. a doula for every family, y'all...”

You see Sparkle and I are doulas. Sparkle is a birth doula in another city on the east coast and I am an abortion doula in a public hospital in NYC. Sparkle is one of my doula mentors who encouraged me to apply to become trained in being an abortion doula. When I read about the need for abortion doula’s in NYC in the SisterSong Women of Color Reproductive Health Network Newsletter  I looked into The Doula Project and spoke with Sparkle.

It is rare to hear about doula’s in mainstream media. The first time I heard about midwives and doulas was when Ricki Lake was promoting her documentary The Business of Being Born. When Taye Diggs spent half of his conversation on the Jimmy Kimmel show discussing his family’s experience with their birth doula during the birth of their son Walker, I was impressed! It’s a very powerful and intimate story to share. Not only does he discuss their experience with a doula, but he discusses placenta encapsulation. Watch the video below:

 

 

Growing up with hippie parents I knew what midwives were and with my background in reproductive health and my time living abroad, I came to understand the role of birth doulas. Even though I had been a part of the National Abortion Federation and counseled women for several years on all their options for their unplanned pregnancy, I never knew there were abortion doulas.

Today, I’m happy to say that I am an abortion doula. So what do abortion doulas do? Similar to the support and pain management techniques birth doulas provide, abortion doulas do the same. We are trained in relaxation techniques, the various abortion procedures, the hospital protocol, some birth control options and counseling. We provide all of these services, in addition to any after care that a person may need.

If you have ever had someone in your life that has needed an abortion then you may know that it is not often that an individual seeking to terminate can bring someone into the procedure room with them. Often the client is in the procedure room with a doctor and a few nurses, but nobody that they actually know or have communicated with prior to the procedure. That’s where the support I provide comes in.  

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Thursday, October 8, 2009 at 8:08:00 AM EDT
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**Spoiler Alert**
 
A few weeks ago I mentioned that I was going to see Jennifer’s Body simply to support one of few women of Color directors: Karyn Kusama . This weekend I went to 42nd Street/Times Square with my homegirl Erika Lopez to see the film. We caught an evening show on Saturday night. The theater was small even though the film was showing just about every hour. However, the showing was close to sold out. Erika and I sat in the front fourth row because we like horror and enjoy being all up in the middle of the screen.
 
Now, the audience was most definitely 98% people of Color, 90% under 25 years old, and a mixed group of gender identity. Erika and I knew to expect that we would be the “old heads” in the crowd, but neither of us mind. I knew to expect a lot of call and response from the audience, and that’s exactly what happened.
 
Here’s the deal: the film is terrible. I know I wrote a nice long article about how marketing was less than exceptional, how Kusama spoke about the skewed marketing, how her comments about that made me want to see the film even more. The reality is, the script is incredibly awful and tries so hard to sound “cool” that viewing the film was painful. And not just painful in the Bianca-is-not-the-demographic-for-the-film kind of way, but in the way where Erika exhales loudly about four times, I had to adjust myself in my seat over 10 times, and when the film was over I asked Erika if she wanted me to pay her back the money she dished out to see the film (she didn’t want to go but went with me because she’s my homegirl and I convinced her a double header to see Capitalism: A Love Story was a good idea for her rainy Saturday in NYC).
 
The most fascinating part of the film was how the audience responded.

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Thursday, October 1, 2009 at 8:18:00 AM EDT
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There are some reality television shows that I do admit to watching, and some that I won’t admit to watching. The shows I do admit to include I Want To Work For Diddy , America’s Best Dance Crew, and Making His Band. These three shows have several things in common: they are produced to by Black men (Sean P. Diddy Combs and Randy Jackson), they are all on stations devoted to music: Vh1 and MTV, each had elements of hip hop at the center of the shows, and they all had a transgender woman of Color (I’m going to refrain from saying all of the women identify racially as Black because I’m not sure they all do).
 
It’s been one year since I Want To Work For Diddy aired on Vh1, but I still remember very vividly the day I learned that Laverne Cox would be one of 13 contestants on the show. I was excited to see a Black transgender woman represent herself on a national television station, yet I was still anxious because our society and many subcultures of our society are and remain transphobic. Laverne spoke of “making history together”  with Combs, yet I think she already made history by being one of a handful of contestants selected. I know what it means for me to see a transgender woman of Color, but does it mean the same thing for everyone else, including other contestants and Combs? I’d have to wait and see.
 
When ABDC started this season, well we all know how I feel about Vogue Evolution (VE)  . My anxiety with how transgender people of Color are represented remained, even though my excitement for VE’s performances each week often overshadowed that anxiety. Yet, my concern was validated by the comments made by judge Lil Mama to dancer Leiomy Maldonado after one performance. After Lil Mama’s comments the elimination of Vogue Evolution (followed in the next episode and her less than exceptional apology)   was published.

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Thursday, September 24, 2009 at 8:47:00 AM EDT
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Jennifer’s Body piqued my interest not because of headliner Megan Fox, or because of screenwriter of Juno fame Diablo Cody, it was the director: Karyn Kusama  . Have you heard of Kusama before? She’s one of a handful of female directors of Color in the US. She wrote and directed the film Girlfight which is almost ten years old and Aeon Flux . Girlfight was the film that introduced Michelle Rodriguez to the world and rocked mine.
 
The marketing for Girlfight is so powerful, even ten years later. I still remember going to an evening screening on opening night and joining the sold out crowd. I’m saddened by the marketing choices for the film Jennifer’s Body. The obvious over-sexualization of Fox’s character in materials where she is seated on top of a school desk in the very stereotypical school girl attire of short plaid skirt is one thing. Yet, add to that the film trailer that clearly highlights all of the most sexually provocative parts of the film. Have a look at the trailer below.
 

  
Yes, we all know the saying “sex sells,” but I’m not the only one dismayed by decisions with marketing. Kusama is irritated too and shares this in one of her interviews, saying “I’m definitely frustrated by the “boy-centric” angle that a lot of the marketing seems to have. It’s going against the grain of what the film is trying to accomplish… I don’t feel that this movie needed to be “falsely advertised.”… I am definitely concerned about losing the very audience I was speaking so specifically to, which, beyond young people, was young women in particular.”

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Thursday, September 17, 2009 at 8:31:00 AM EDT
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Disclaimer: I’m biased. I haven’t read or wanted to read a book about vampires since Anne Rice’s work. Thus, I have not read any of Charlaine Harris’ books that the show True Blood is based on, so my evaluation will be based solely on what is presented from the HBO series. Also, there are spoilers.
 
When I first heard that True Blood would feature its first Latina vampire my initial reaction was “Awesome!” I had no ideas or expectations for her storyline because once people started to identify as shape-shifters I realized I had to give into all the fantasy that makes the show so popular. Plus, as a LatiNegra, I value magical realism and was raised surrounded by it in various forms*.
 
Isabella Beaumont (played by Valerie Cruz) was introduced in episode five: “Never Let Me Go” in Texas. She’s introduced during a meeting with Eric, Bill, Sookie and Stan who are discussing who could have abducted the Sheriff and oldest vampire of 2000 years, Godric. Isabel doesn’t think it’s The Fellowship Of The Sun because they are “amateurs” and think it’s impossible there are “traitors” in their crew of vampires and humans who work with/for them. Episode six: “Hard-Hearted Hannah” she introduces her human Hugo. We discover in episode seven that her human, Hugo is the traitor of their crew and working with The Fellowship Of The Sun.
 
Here’s why I find her character fascinating and troubling:    

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Thursday, September 10, 2009 at 11:27:00 AM EDT
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This is a difficult article for me to write. I’m still struggling with this story and my thoughts around it, but think it’s important to discuss what is occurring. Roxanne Shanté, have you heard of her? There’s been a ton of conversation, emails, postings, tweets surrounding the NY Daily News article about her. That was quickly followed by another article in Slate magazine that basically said everything in the NY Daily News article was a lie and that she doesn’t have the education she said she did. 
 
As one of the few female rappers in the 1990s, I grew up listening to Roxanne Shanté and still do today. I’ve struggled with this for a week now. I’m not sure where my struggle lays, is it that I’m not ready to debunk her work? That I’m hurt she has lied? That I worry about how survivors are treated in our society? I think it’s all of this and so much more that I have yet to find the words for.
 
The part that gets me at my core is that the media so easily seeks to bring down a Black woman from a working-class background that is serving her community. This is who I am. This is what I do. This could be you. This could be me.

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Thursday, August 27, 2009 at 7:59:00 AM EDT
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There seems to be a rumor that if you choose to be a critical consumer of media that you are just grumpy all the time. This is not always the case and in many ways this is a myth. When there are new ideas, images, representations, and conversations occurring that challenge the status quo and our culture, this to me, is exciting. Case in point: MTVs Randy Jackson presents America’s Best Dance Crew (ABDC) . I rarely watch ABDC, but this season I’ve found myself not only watching the show, but watching all of the behind the scenes and crew interviews! This is definitely out of my usual TV watching routine, so I’ll admit my lack of knowledge on past seasons and crews.
 
Many conversations are occurring regarding the first all out queer dance crew Vogue Evolution, and for good reason. Not only are they the first out queer crew, but also they are the first Black queer dance crew, and the first to have an out Black transgender woman. They are also the first crew, to my knowledge, who has represented the Vogue and Ballroom dancing genre. Unfortunately, conversations about Vogue Evolution usually stop at their queerness, not this time. Instead, I’d like to start with their queerness and finish up with the many other identities and representations they give us to demonstrate that their existence is important in multiple ways.
 
One of the more in-depth conversations about Vogue Evolution was in the form of an interview with the members : Dashaun Williams, Devon Webster (aka Pony), Malechi Williams, Leiomy Maldonado and Jorel Rios (aka Prince). Here we get a glimpse into what their life is like while competing, how they met, and what they hope to achieve. I admit I’m excited to see each episode, but I’m kind of surprised at MTVs choice of words when writing about Vogue Evolution. For example, in the bio for Vogue Evolution, MTV uses the terminology “the guys,” twice! There are so many other terms to use when referring to Vogue Evolution, such as their crew name, call them dancers, New Yorkers, but don’t attempt to ignore the gender identity and expression of the crew by using sloppy and disrespectful terminology. Somebody needs to tell MTV about themselves. Oh wait; did I just do that?  

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Thursday, August 20, 2009 at 9:35:00 AM EDT
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It all started, as many stories do, on Twitter. My homegirl AJ Plaid had sent a tweet about Latina Magazine’s new sex advice column: Between The Sheets. Of course I clicked on the link and was instantly taken to the Latina Magazine website and interview of the new sex advice columnist, adult film star AnnMarie Rios.
 
A picture of a young light-skinned slim Latina with brown straight hair in pink lingerie greeted me. This is AnnMarie’s introduction to Latina readers. I’ve been visiting the site for a few weeks since the interview was published and there are only four comments by readers. The comments are not very diverse, either they love or they hate the column idea and columnist.
 
As a magazine that’s been around for over a decade, Latina knows very well how to construct messages they think are important for their readers. What messages are they sending with this new column, the foto of AnnMarie, the questions they chose to ask her and publish?
 
For those of you who don’t know, there really are not many sex and relationship advice columns written by (or for) people of Color in the US media. Sex and relationship advice columns have been , continue to be  , and are still  extremely color-free. However, there is no shortage of sexologists or sex educators of Color.
 
In many ways Latina Magazine’s efforts are needed. They realize the lack in our community and in communities of Color of sexuality advice coming from community members. Yet, I couldn’t help but think about all the stereotypes about Latinas and how “over sexed” and “hot & spicy” we are believed to be and how this column may push those ideas forward. 

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Thursday, August 13, 2009 at 9:36:00 AM EDT
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In high school I was in love with camouflage and the color silver. I would take silver glitter glue that came in tubes that you can still find today at craft stores, and outline the darkest patches of the camouflage jackets, pants, shirts, and bandanas I owned. This was before Missy Elliot beadazzled her camouflage! I not only enjoyed the color contrast, and the attempt to give a splash of femininity to such a hyper-masculine piece of clothing, but this was a safe form of activism for me. When people would ask me why I did that outline I would say: “because I want the military to know we see what they are doing and they can’t hide from us.” My clothing sent a message.
 
When I said “the military” I was talking about the US military industrial complex. This was the time when the US Navy was still engaging in bombing practices on the island of Vieques, Puerto Rico . Although born and raised in the continental United States, my parents who emigrated from Puerto Rico, raised my sister and I in a Puerto Rican and Caribbean home. To us, the “mainland” is not the US; it is the island of Puerto Rico, our homeland.
 
Years later in college I realized that my desire and ability to create and share my message through my clothing resulted in my realization that I am a media maker. It was a new identity and role that I had never imagined I would have because I always thought that the “media” is what you see on television, magazines, and billboards or hear on the radio. Never had I realized that creating a message and finding a way to share that message is a form of media, one that is often excluded in conversations about the media, but often more powerful than some ad campaigns!

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